We’ve been discussed in several popular and unpopular publications and we are very grateful for the attention. A few highlights:

The New York Times June 2009 Produced by the Math Factory, Red Antenna helped to develop one of six exhibits at the World Science Festival in Washington Square Park.

.

How Magazine April 2008 Produced by Trollback and built by Red Antenna, www.trollback.com won an interactive design award in How Magazine’s annual design review.

.

Step September/October, 2007 Light to Unite was designed to raise awareness about HIV/AIDs. Visitors to the site can light a candle to raise money and share their stories. Produced by Icon-Nicholson and built by Red Antenna, the site was featured in Step’s ‘Best of the Web’ issue.

.

Fingerprint: The Art of Using Hand-Made Elements in Graphic Design How, 2006 Our silkscreened kraftboard record sleeves were featured in this handsome book about using hand-made elements in design. Published by HOW Magazine and Chen Design Associates.

.

Trax by Laurent Gurel. March, 2005 Tomorrowland — Anemone Tortoise jouant abstract hip hop. Voila une presentation rapide de ‘univers de Tomorrowland. Guitare et batterie, lunaire et cerebrale, la musique du trio sait se faire ludique et exigeante dans une jam session pour dancefloor horizontal. On se perd avec plasir dans les deglutitions d’un hip hop inspire par Jackie O’Motherfucker, Radian et Mercury Rev. Nick Brackney, Stephen Baker et Eric Morrison vont jusqu’au bout de leurs images, au fil des seances d’improvisation, empreints d’encre de film noir et de cuivre rougissant. Un dedale dans les muqueuses d’une musique qui demanded de l’attention.

.

Wire Philip Sherburne Karl Zeiss – Currency New York’s Red Antenna is one of the few North American labels to tap in to the Teutonic strain of minimal techno. Still, despite the crystalline ring of project alias Karl Zeiss – the duo of brothers Tee and Dan – Currency views the world through a lens that’s been irreparably gunked up, and Zeiss’s sound draws as much from the dirty urban grind of downtown New York as it does the clockwork mechanics of Berlin. “Guilder” sets a chirpy, faux-naif arpeggio in opposition to a woodblock strut. “Markka”, with a huge, flanged bassline, beats out a sluggish electro patter flecked with backwards hi-hats and ghostly little whippoorwill cries. “Drachma” is a rumbling, almost trance-oriented shredder, with open hi-hats wheeling like knife toothed blades, and “Lira” rounds out the coin-op quartet with a clunky, grimy lo-fi House chug.

.

URB The Next 100 New York imprint Red Antenna is in a small class of labels dedicated to placing an equal emphasis on the music they release and the aesthetics of their work [packaging, multimedia-rich live shows, video work, installations]. Backed with a stable of artists diverse in sound and texture, comparisons with Ghostly International immediately spring to mind. Expect releases this year from Candy Chang, Karl Zeiss, KinoSport, and possibly a third installment of their successful New Electric Policy mix CDs.

.

Time Out New York Meanwhile… event @ Tonic Karl Zeiss + Candy Chang + Addisko + KinoSport. The above artists all come from the crack local Red Antenna label, whose recent The New Electric Policy 2 is one of the liveliest electronic compilations we’ve heard in some time. The label’s artists put plenty of oomph into their sounds, from Candy Chang’s high-art electro detachment to the popping techno hybrids of Karl Zeiss (a misleadingly named duo). And since this night is to celebrate the birth of a new avant-garde electronic magazine, e|i, it’s possible you’ll get a free copy. If not, well, what did it cost you to get in tonight? Exactly.